The Dark Side of Chocolate / Schmutzige Schokolade from We Know Music on Vimeo.

At T2 + Back Alley Films our love for documentaries and the people who produce them is endless. The Dark Side of Chocolate is no exception. It’s a compelling piece, expertly executed and, most importantly, inspires thought and conversation.

This was the first time that Pepsi and Doritos partnered for an event and Crash the Super Bowl was a huge success. Not only did the contest garner a record number of fan submissions, it also generated an unprecedented number of consumer votes. Just goes to show the power of the consumer and how the creative landscape has changed. Not only do consumers want to watch great spots, they want to be a part of the process of not only creating them, but also selecting the winners.

Brad Bosley, a 28 year-old Leawood, Kansas native is the creative talent behind Pepsi MAX’s “Love Hurts” Super Bowl spot. He wrote and directed the spot for about $800 and took home 5th place in the competition. That was no small feat, considering there were more than 5,600 entrants, representing the most ever in a single year of competition.

The winning ads (in alphabetical order) were:

• “First Date” (Pepsi MAX) by Nick Simotas
• “House Sitting” (Doritos) by Tynesha Williams
• “Love Hurts” (Pepsi MAX) by Brad Bosley
• “Pug Attack” (Doritos) by JR Burningham
• “The Best Part” (Doritos) by Tyler Dixon
• “Torpedo Cooler” (Pepsi MAX) by Brendan Hayward

It’s also no small feat that out of the top 5 most popular ads identified by USA Today’s AdMeter, that two were spots created by consumers.

It was great to hear Brad interviewed on KCTV5 this morning and share that the inspiration for his spot was his grandparents. He said that his grandmother had always been somewhat aggressive with his grandfather, and known to kick him under the table if he tried to eat something that wasn’t good for him. I’d say Brad figured out a great way to not only honor and memorialize his grandparents, but to make one heck of an impression in front of millions of viewers the world over.

Here are the ads ranked in the Top 10 by USA Today’s AdMeter and the full list is available here.

The presentation was grand. It spanned the entire length of the interior wall of the Grand Ballroom of the Kansas City Convention Center. We used six different projectors to project the images onto the wall and the combined final image was visually stunning – 300 feet long and over 30 feet tall.

We worked with Vista Productions as our live event partner; and Wheeler Audio for sound design; and Noel Selders, who created the original score.

KCADC Projection Wall from T2 + Back Alley Films on Vimeo.

Other times, you work your tail off and put your heart, soul, blood sweat and tears into a project and it consumes you. Instead of weeks, it takes months. Instead of months, it takes years. It becomes you. You eat, sleep and breathe the work and at times it seems as though it might never end. And it’s wonderful. And horrible. Yet more wonderful than anything else.

That’s what happened to the T2 + Back Alley Films team and “The Next American Dream” documentary, which made its debut earlier this year on KCPT-TV, the Kansas City, Missouri PBS affiliate. In fact, back in February of this year, my very first blog post ever was about this project and how documentaries fuel my creative passion in an insane way.

This film was a co-production of T2 + Back Alley Films and documentarians, Aimee Larrabee and John Altman of Inland Sea Productions. More than 8.9 million viewers nationwide have viewed the film on PBS and since it was made available by the National Educational Telecommunications Association (NETA) to its members last November. And the rest of the story ….

We. Won. An. Emmy.

Wow! What an indescribable feeling and something that all of us who worked on the documentary regularly pull out and revel in, all over again.

For those of you who’ve not seen “The Next American Dream,” the documentary focuses on Kansas City’s efforts to revitalize its downtown and explore the renewed demand for walkable urbanism in American Cities following the cultural shift to drivable suburban living personified following WWII. Big words for people moving out of cities and flocking to suburbs during one part in American history, and then the renewed interest in returning to urban areas and living in cities again.

The project couldn’t have happened without our fearless leader Teri Rogers, T2 + Back Alley Films’ CEO and the film’s executive producer, and her commitment to the undertaking and dedication to making it happen. In a recent press interview, she described the opportunity as “a unique and incredible opportunity, given Kansas City’s accelerated timeline to revitalize, to not only explore something that is currently a national topic, but to document and record the whole process – from start to finish – right in our own backyard. And what an honor for our city.”

Also along on our seven-year journey was the Kansas City Area Development Council. KCADC used it as a powerful marketing tool to upgrade our city’s image. The film has since been used as a teaching tool for architects, urban planners and city leaders across the nation. And without KCPT, our film’s national presenting station, it wouldn’t have aired in major cities like L.A., Chicago, Miami and Boston.

Me, I’m still dancing to the song: We Won An Emmmmy, We Won an Emmmmy.

I never tire of it. Nor do any of the very talented people who were a part of the making of “The Next American Dream.” And even though it’s great to do really awesome work that may or may not get any recognition, it’s super duper beyond the light fantastic to win an Emmy. Woo hooooooo.

And so, we share our joy with you. In this blog post. And we thank you for reading it – and allowing us, just for a moment or two, to smile and dance and revel in not only a job well done, but something that we manage to nab some pretty amazing recognition for. And man, does it feel great.

If you’ve not yet had the chance to see “The Next American Dream,” we hope that sometime you will. We promise you’ll enjoy it.

We love Google products and it was hard to pick just one. But we did. We chose Google Voice, a service that allows you to mask your phone number with another (or to route your calls from a variety of different numbers to just one number) and it also helps you keep track of your voicemails and texts. Well, we posted photos of our maintenance man dressed as Santa all over the city (see attached photo) and invited people to call Santa and let him know what they would like for Christmas. Haha!

The project was intended to be an absolute joke and fit right into the Google Slam video collection, but we also figured we’d wrap it up by making someone’s wish come true. It was great. We got a week’s worth of totally goofy texts and voicemails. People phoned in and left messages asking for everything from fire trucks, rainbows, college-themed sweatpants, the Chucky series, and the list goes on. We were even going to figure out how to deliver a couple of these items in a really weird and funny way. But then, one voicemail in particular changed everything – the one below.

The laughter subsided and we realized our campaign had turned in a completely different direction. It was no longer about goofy messages and being silly, it was about someone real. And someone who really needed our help.

We talked it over decided as a group that we wanted to help Stevie Joe. We called the Kansas City Rescue Mission to make sure he was the real deal and then we asked our staff and friends who were interested in donating money to help out. Our CEO, Teri Rogers, agreed to match whatever the staff collected as donations and all told, we ended up raising about $500 to help Stevie Joe and grant his wish to get back to his children and family.

Once we had the money, we called Stevie Joe, but his cell phone was turned off. We finally managed to reach him and made arrangements to meet him outside of the KC Rescue Mission. Of course, he was curious, yet very happy to see us. He told us about the recent turn of events in his life; how he lost his job in July, how his wife left him and how he was separated from his kids and family who were living several hours away. He wanted to go home, but he had no means to make that happen.

When we handed him the envelope with the money we’d raised in it he was ecstatic. And in shock. And so happy that he would finally be able to see his family again. Check out the video ….

Doing something creative and goofy is really fun. Doing something that changes someone’s life at a moment when they need it the most is even better. Thanks, Stevie Joe, for being a part of our lives this holiday season.

And please don’t make the mistake of thinking that just because we’re located in the Midwest that amazing design doesn’t happen here. It does – and we can prove it. Enough said.

Our specialties include 2D and 3D motion graphics design, editorial, experiential design, augmented reality, mobile app design and other forms of new media design. Additionally, through Back Alley Films, we produce digital content across all media platforms, including original films and documentaries. We like to get our hands in every detail of the storytelling process and are not afraid of pushing the envelope. Every aspect of our business is about creativity and we believe collaboration is the formula for success for any company today.

We’re looking for a truly passionate leader to inspire and guide our group of young and talented designers. Someone who totally gets how critical creative storytelling is — to us and to our clients. And understands how to translate that story into design. And, of course, you need to be able to pitch creative to internal and external business partners and be a part of the process of continually building and growing the business.

This is a Creative Director position and reports directly to the CEO. If you’re interested in the position, we would love to hear from you. We think that some of the things you need to be adept at (that aren’t specifically mentioned above) include:

• At least 10 years of relevant experience in motion design
• Bachelor’s Degree or higher in Fine Arts, Film, Graphic Design, or Digital Media Design
• Extensive understanding of interactive and moving media
• Proven hands-on knowledge of AfterEffects, Photoshop, Illustrator, Maya / Cinema 4D and Flash
• Ability to solve problems quickly, collaboratively and intuitively
• Experience in strategic planning and execution
• Strong people management to provide clear creative direction and to motivate and inspire the creative team

Submit your resume to trogers at t2.tv and include a link to your online motion design reel. Please make sure your experience is appropriate to the position. We can’t wait to hear from you!

Anyone who knows me knows how much I love filmmaking – and when I find something that helps people who love it as much as I do – well, I get excited. Today’s discovery — The Rocketboom Filmmakers Program.

The Rocketboom Filmmakers Program was developed to help filmmakers by making resources more available. As anyone involved in the business of filmmaking knows, ideas are plentiful, it’s the money and resources that can be the tricky part. So, if you have some great ideas (and of course a fair amount of talent) and are interested in producing short run web series or short films, you should definitely explore Rocketboom’s program. I know my buddy Heather and I will be doing that with our web series as soon as I finish writing this blog post!

Acceptance isn’t a given, so be prepared to sell yourself to the folks at Rocketboom. But if you’re successful, their mission is to help underwrite the production costs, help you distribute and promote your work through their network and even let you use their resources and content studio as needed.

To be considered, you’ve got to email them and include the following information:

• A brief description of the short film or web series you would like to produce.
• A treatment or script for the project
• Your filmmaking background and experience
• Links to or files of previous work they can view
• Overview of previous projects

Intrigued? Like to know more? If so, check out Save The Date, a 10-part web series that was produced as part of The Rocketboom Filmmakers Program. For more information, send them an email directed to filmmakers at rocketboom.com.

And if you’re not interested in filmmaking but video journalism is your gig, Rocketboom is also looking for independent video journalists and field correspondents from all over the world to submit content. You not only can get paid for doing what you’re passionate about, but you can produce great work, maintain ownership and freedom-of-use, but use Rocketboom’s powerful platform to distribute your work (and make a name for yourself). Check them out here for an example of the kind of episodes they are looking for and connect with them by email for more info at humanwire at rocketboom.com.

Rocketboom is no flash in the pan. They’ve been around for awhile and have been earning rave reviews from a myriad of sources including AdAge, Rolling Stone and CNN, to name a few. And the Rocketboom vlog has been honored by Forbes with a Best of the Web nod. What they do at Rocketboom is awesome and really on the cutting edge of video on the web, innovative filmmaking and so many other things. – I’m so glad to have found them.

Now go make films – or a series! Just tell good stories – and get them to Rocketboom.

Experience design is not just the hottest thing in marketing and for brands trying to drive engagement and sales, it’s soon to be an even bigger part of our lives. There’s a great new search tool, Qwiki, that was introduced during TechCrunch Disrupt this past September that brings experience – and experience design – into the search process.

Currently, when you search for something you get a list of links that may or may not provide all the information you seek. And it’s not always a very dynamic way to find what you need. Qwiki provides interactive video presentations with dynamic information pulled from a multitude of sources. What’s better, is that each information element that’s pulled into the presentation is interactive. So, if you click a video or photo while watching a Qwiki information experience you can interact with that piece individually. Also all related maps, timelines and other elements are highly interactive as well.

Qwiki at TechCrunch Disrupt from Qwiki on Vimeo.

Right now Qwiki is a very cool interactive reference tool, but it is actively working on developing products for small businesses and social media users. Social media users will be able to create Qwikis based on their social data aggregate, while small businesses can aggregate reviews from sites such as Yelp, Gowalla and others. Regardless of the end user, Qwiki CEO, Doug Imbruce says their ultimate goal is to become “a ubiquitous layer that augments the traditional web.”

You should definitely go check out some of the sample Qwikis available on their site. The Eiffel Tower Qwiki is a great example of a simple search and infinitely more interesting than what you get from a Google or Wikipedia search. There’s also a Qwiki about Gregory Smith that shows how social media information can be aggregated

Qwiki founders believe that the best ideas are experienced – so if Search goes experiential – what’s next? Since experiential projects and experience design are a big part of what we do – and since we believe that any information is better when it is experienced by the user, we will love seeing how quickly Qwiki will change the way we all search for information. Love, love, love it.

Designing mobile marketing solutions for our clients is an integral part of our business plan. If you’re reading this blog, I’m probably not telling you anything you don’t already know. We are a mobile society and carry our mobile devices with us everywhere. If we leave the house without them, we turn back and get them — the thought of getting through a day without connectivity in the palm of our hands is untenable.

A billion people accessed the mobile Internet worldwide in 2009 and Gartner forecasts call for expect usage to double within five years as mobile overtakes the PC as the most popular way to get on the Web. Additionally, according to MarketingProfs’ mobile devices are the most personal method of reaching people and messages are more likely to be read on the small screen than they are on the big.

According to an Outsell study, consumers who have a smartphone spent an average of more than 25% of their waking hours interacting with their device. That same research shows that by 2014, more than half of web browsing will be done from mobile devices.

Despite this clear trend, 56% of marketers are currently doing no mobile or browser advertising. With devices such as the iPad, Android and iPhone becoming capturing increasingly more marketshare, marketers could be missing out on big rewards.

Mobile advertising is still in its early days but this space represents huge opportunities for marketers across B2B, B2C, E-commerce and non-profit organizations. Gartner predicts that by the end of 2010, 1.2 billion people will carry handsets capable of rich, mobile commerce and that that will be the preferential way of reaching consumers.
This is exactly why my company is designing for the mobile space. It’s not going away — and according to the stats above, helping clients develop mobile marketing solutions should be a growing business segment for T2+Back Alley Films.

This Friday, Nov. 5th there will be a very special happening at First Fridays in the Crossroads – and you know how much we love experiential happenings. “Limelight” is a live public art installation that is coming to KC after its initial installation in Glasgow, London and Arlington, Va.

For this work Sans façon, have taken a different approach to city street lighting by replacing two existing streetlight heads with theater spotlights, inviting passersby to temporarily transform the street into a stage. According to their press release, the theater spotlight is a universally familiar symbol of performance — both recognizable and appealing. This intentionally subtle alteration to the street lighting transforms an ordinary sidewalk into a stage where the passersby become both the actor and the spectator. A few dance steps become an instant spectacle, a few sung words become a musical and a kiss turns into a film scene. And the thing that I love is that a public space, a street, becomes a place — a place that showcases the creativity and vitality and energy ever-present in a city, but rarely shown in a public space. And that’s nothing short of magical.

Why Kansas City? Kudos to David Dowell and El Dorado Architects for making this happen. Turns out David met the two principals of Sans façon a few years ago and the two firms have since collaborated on multiple projects. Sans façon is a collaborative art practice formed between British artist, Tristan Surtees and French architect, Charles Blanc.

David contacted them about bringing “Limelight” to Kansas City as a public outreach event for 20th St. Streetscape Project – which is an El Dorado project that is working to transform and redefine 20th Street into a “Great Street.” Definitely check out 20th St. Streetscape Project which includes some sustainable elements as well as changes to sidewalks and street lighting. I can’t wait to see the whole plan for 20th Street…but I digress. Bottom line, Dave Dowell went out and raised the money to bring “Limelight” to KC. He made it happen and I’m grateful for his tenacity.

Suffice it to say, I will be hanging out at 20th and Main Street at dusk on Friday so I can be a part of the experience. I might be too insecure to perform but I’ll have fun watching. Then again, who knows. That’s what is wonderful about experiential projects. And I hope I’ll see you there.