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Give Them What They Need

StagePort Kansas City

As one who has lobbied hard for some brave soul or souls to create a soundstage in Kansas City, I am thrilled that StagePort has opened just across the street from T2 +Back Alley Films. And I’m not alone – all the local film makers, productions houses and agencies – in and outside the Crossroads Art District have welcomed this new addition.

Jeff Owens, a genius set designer and veteran member of the film community was responsible for building out the 12,500 sq. ft at the back end of the building that houses OfficePort and JavaPort. There is no one better than Jeff to take this on – and his involvement will guarantee StagePort’s financial success. He will be working alongside Jon Trozzolo in managing the facility that includes one large stage and two smaller ones. Jon and Jeff are co-owners of the facility, along with real estate partners Michael Edmondson and Shaul Jolles.

Lots of folks have considered this undertaking – but it was hard to make the numbers work when you consider the investment in the build-out, which is why it made such sense to get Jeff Owens involved. He is not only well connected and well respected within the film community, but he has the “chops” to do the work himself. It took a little longer for Jeff to take on such a large role in the construction process, but it made the investment more palatable. And Jeff got the community involved before the construction began – by contacting a large number of the people who would use it and asking them what they wanted in a soundstage. He brought in the best people to advise on acoustics, lighting, etc. – took that information and created a facility that would meet the needs of the customers who would use it. Pretty smart – pretty impressive.

That kind of homework – focusing on user experience and listening to customers and potential customers and building or creating what they need, instead of what you want – is really a critical component of business success today. I applaud their efforts and wish them much success.

StagePort is located at 208 W. 19th Street, in Kansas City, MO. For more details about StagePort, there’s a great article in the Kansas City Star. And, if you want to find them on Facebook or stalk them on Twitter, I’m sure they’d love the attention.

SIGGRAPH 2010 Kicks Off Sunday in Los Angeles

SIGGRAPH 2010SIGGRAPH 2010 kicks off Sunday in Los Angeles.  SIGGRAPH is the annual expo dedicated to computer graphics and interactive technologies.
 
At this year’s event, there are an estimated 25,000 geeks and techies assembled under one roof to discover what’s next.
 
SIGGRAPH 2010 covers a wide spectrum of topics. From 3D animation to interactive visual effects and even experimental scientific visualization.  A few highlights of SIGGRAPH 2010:
 
Computer Animation Festival
The Computer Animation Festival features a full spectrum of genres and styles, ranging from narrative character animation to scientific visualization, commercials for mainstream TV, and cinematic digital effects. In addition, the prestigious Electronic Theater and a series of screenings.
 
TRON: Legacy panel
The highly anticipated film TRON: Legacy a 3D high-tech adventure be the focus of a filmmaker panel discussion on Tuesday, 27 July 27 at 3:45 p.m. PST.
 
SIGGRAPH 2010 kicks off Sunday — check out the clip below for a preview.
 
SIGGRAPH 2010:

What the Frack? This is What I Love About Filmmaking

I always tell people that the reason I got into this business is because it is such a powerful medium.  A single film has the power to influence – to motivate – to raise awareness – to change a point of view.  And making a documentary film, in particular, gives the filmmaker a unique opportunity to reach down deep inside and produce a piece of art that tells a story — a truth.  That gives the filmmaker a powerful platform that can affect change.   But you can see all that for yourself, if you just take a minute to watch this documentary trailer.

Gasland was directed by Josh Fox and it was the Winner of the Special Jury Prize – Best US Documentary Feature at Sundance in 2010 and it also screened recently at Cannes. Fracking is not only happening all across rural areas in America, it’s spreading to Europe and Africa, too.  Property owners are tempted by very lucrative offers from big energy companies and, given today’s economy, it’s not surprising that some opt to take the money and run.

I think this is a huge deal – and I agree with Josh that this is a situation that deserves a big spotlight aimed right at it – and this documentary definitely does that. If the trailer intrigued you at all, and you want to do more, visit the Gasland website. Request a screening in your city. Make a donation. If we all just did a little, we could make a huge impact.

And that, my friends, is why I LOVE documentaries. I love watching them. I love making them. I love their inherent power to make a difference.

Cannes Winners Signal Profound Change in Advertising

Vintage Cannes Poster - 1939

Design + Technology is the hot new “creative” as it relates to the ad industry. The big Cyber Grand Prix winners at Cannes are indicative of where advertising and the world of design are headed. There’s no argument that great design will always be great design and regarded as such. But, in today’s advertising world, where we are routinely charged with producing great design that drives results, the addition of technology into the mix is, in my opinion, the best recipe for success.

DDB Stockholm’s work for Volkswagen took home a win for its terrific Fun Theory campaign that took ordinary experiences, added technology and not only made the experiences fun, but changed behavior as a result.

Weiden & Kennedy’s Chalkbot campaign for Nike Livestrong was evidence that by integrating technology into an event, you can actually bring the public into the event and make them a part of the experience, almost seamlessly.

In both cases, technology was the hero, and the driving force behind the concept, but the beauty of both of these integrated experiences is that the technology was invisible. The winners at Cannes validate that this is where the world of advertising is moving. Design + Technology may seem like strange bedfellows at first – similar to the traditional agency creative process integrating with the digital creative process. Those agencies that mastered that were way ahead of those who kept them separate.

For us, it has been an adaptive process over the last couple of years. Our designers were at the top of the heap – so we had to learn how to embrace the collaborative effort between technologists and designers. There were fits and starts – but today, I can say without reservation that the line between our designers and our technology gurus has blurred into one big integrated space. And happily, it has changed the face of our business, as well as the kind of work we are able to do for our clients.

*The poster is the 1939 Cannes Film Festival vintage poster, which is from the year of the planned festival debut. The film festival was canceled that year, because of the start of World War II

Winning. It’s Cool. No Question.

National Addy Awards Trophies

We’ve all heard the saying that “winning isn’t everything,” but let me ask those of you who’ve ever won anything in your life – how did it feel?  Did you get an emotional high? Feel that overwhelming sense of pride and/or teamwork? Did it spur your competitive nature even more? Chances are, however you expressed yourself, it was an experience you’re bound to remember. I know it was for me.

A few weeks ago we were notified that T2 + Back Alley Films won a National Addy and we were invited to Orlando to attend the ceremony and accept our award. Guess who got to attend on behalf of T2? Yeah — it was me!! I’ve been a member of our local AAF chapter for over two years and this was my first national event. To say that I was psyched is an understatement.

Fast forward to the event itself, which took place this last Saturday. I arrived at the event venue and chatted my way through a crowded cocktail party filled with people who make their living in the ad business and, well, other winners, waiting for the ceremony to start. We exchanged names, companies, laughs, all eager for the big show to start. Then, promptly at 7pm, the doors opened and we were ushered into the ballroom. The stage was lit, the hosts were poised; it was game on.

As the first reel of Gold Addy winners started to play, I could feel the anticipation begin to build. Every time I saw an agency from the Midwest I felt a sense of pride, a small win for the “Fly-Over” states. Suddenly, I hear it, the announcement of T2….and here I go up on the stage to accept that beautiful award on behalf of my entire team. The walk. The congratulations. The handshake. The photo. Hearing the applause of our peers. The walk back to my seat. A quiet and proud sigh followed by a big satisfied smile.

Michele Sherpy, Accepting National Addy for T2

That’s what winning feels like. It’s wonderful to be recognized for hard work. I smiled on behalf of my entire T2 + Back Alley Family –- we all won. Two Gold Awards for the T2 website design and a self-promotional, experiential design piece, the “T2 Massacre.”

What an amazing experience – and certainly one I will never forget. And I couldn’t be more proud of the team of amazing people that I’m lucky enough to work with on a daily basis. And, maybe winning isn’t everything, but it sure feels good.