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Pete Meyer: Radio Personality

They probably won’t be giving me my own radio show any time soon, but I did manage to bluff my way through an hour of live broadcasting on our local NPR affiliate KCUR during their annual recap of Super Bowl spots.

You can listen to it here as long as you promise to perceive my (brief?) moments of incoherence as folksy and charming.

And since I’ve now been able to gaslight a portion of Kansas City NPR listeners into believing I’m an “advertising expert”,  I figure, why stop there?  There are other media channels to conquer.  The internet is not going to fill itself with blinding wisdom. So, here are my top five spots that ran in the superbowl.

Everyone seems to love the Twinkie reference, but Barry Manilow and the raining frogs are what really make me love this commercial.

So many of this year’s spots weren’t fun.  This one was.

The fact that the right-wing blogosphere is convinced this is a thinly-veiled Obama campaign commercial seems crazy to me.  But the fact that this controversy has kept the spot in the news cycle running over and over for free makes me think Chrysler knew it would play out like this.

Rodeo Rhino recurs in my dreams, too. I don’t feel so alone now.

This only ran in North Platte, Nebraska during a local pod.  It makes me want to drink Old Milwaukee.

Consumer-Generated Ads Win Big At Super Bowl

Doritos and Pepsi MAX dominated in the consumer-generated videos that got attention during Super Bowl 45. And Kansas City got a piece of that national attention, albeit in a small way, courtesy of a Leawood native who was a big winner. Contestants were vying for some $5 Million in prizes and the resultant media attention could pretty much be considered priceless in terms of the ability to leverage it into more great opportunities.

This was the first time that Pepsi and Doritos partnered for an event and Crash the Super Bowl was a huge success. Not only did the contest garner a record number of fan submissions, it also generated an unprecedented number of consumer votes. Just goes to show the power of the consumer and how the creative landscape has changed. Not only do consumers want to watch great spots, they want to be a part of the process of not only creating them, but also selecting the winners.

Brad Bosley, a 28 year-old Leawood, Kansas native is the creative talent behind Pepsi MAX’s “Love Hurts” Super Bowl spot. He wrote and directed the spot for about $800 and took home 5th place in the competition. That was no small feat, considering there were more than 5,600 entrants, representing the most ever in a single year of competition.

The winning ads (in alphabetical order) were:

• “First Date” (Pepsi MAX) by Nick Simotas
• “House Sitting” (Doritos) by Tynesha Williams
• “Love Hurts” (Pepsi MAX) by Brad Bosley
• “Pug Attack” (Doritos) by JR Burningham
• “The Best Part” (Doritos) by Tyler Dixon
• “Torpedo Cooler” (Pepsi MAX) by Brendan Hayward

It’s also no small feat that out of the top 5 most popular ads identified by USA Today’s AdMeter, that two were spots created by consumers.

It was great to hear Brad interviewed on KCTV5 this morning and share that the inspiration for his spot was his grandparents. He said that his grandmother had always been somewhat aggressive with his grandfather, and known to kick him under the table if he tried to eat something that wasn’t good for him. I’d say Brad figured out a great way to not only honor and memorialize his grandparents, but to make one heck of an impression in front of millions of viewers the world over.

Here are the ads ranked in the Top 10 by USA Today’s AdMeter and the full list is available here.

USA Today, AdMeter's Super Bowl Rankings

Dawn of a New Decade. Defined by the Underdog

From my first job in production to today

video reelMy first job in production was to watch director reels so that I could familiarize myself with the work, and the talent behind the work.  I had a grading system that filled notebooks full of my green critique – Back then, we had the giant ¾ inch tapes that needed an entire room of their own just to be housed. The room had a metal chair, no windows and sat directly across the hall from one of the most notorious office smokers in our building. As dreary as that Barney Miller-backdrop-of-an office was, it also came to represent the room where I would find my escape from the day to day. A new world opened up to me behind those closed doors, one that gave me a glimpse into the creative talent that I knew I wanted to work with one day.

The grading system was based on points, 10 being the highest. I hadn’t been exposed to advertising long enough to know how important any kind of relevant brand message was in commercials, so my grades went something like this – If there was anyone in a bikini, it got a 10. If there was a Harley spot on the reel, that director got a 10. Anything with Bo Jackson got a 10. But then my grading evolved as I watched reel after reel…I came to appreciate good composition. I started to recognize good acting. I began to see simple concepts make a very lasting impression. My notebooks grew in size, as I wrote about everything I saw and the emotions each spot would evoke. Some directors faded while others started to rise. What became obvious were the directors that stayed relevant with new work. Sure, it was easy for some who had a super bowl spot on their reel to stay relevant and get new bud light work each month. But, what caught my attention were the directors that flew under the proverbial ad-rat radar. These directors stayed busy by passionately driving the work on seemingly unknown and irrelevant brands – and in doing so, they became relevant in my eyes. I associated with their desire to make the most out of every opportunity you’re given. Spoon wrote one of my favorite lyrics – “You got no fear of the underdog, and that’s why you will not survive”.

At Back Alley, we’re building a team of artists –  those artists are a combination of visionaries with disciplines in directing, photography, writing,  music, art, and just about any imaginable creative outlet that defines and shapes their ambitions. Our job is to guard that ambition and throw our net as wide as we can in 2010, providing them with every opportunity to channel those disciplines into creating relevant work that will build brands, grow relationships with customers and create friendships with like-minded creatives & clients.

In the coming weeks, I’ll be blogging with our artists to capture what’s on their mind and relevant to them. I hope it will be information that becomes relevant to you. It’s the dawn of a new decade – one that will be defined by the underdog, and who chooses to seize the opportunities that others fear are no longer there.

New Decade of Superbowl Ads

In the past, I’ve been excited about watching the Super Bowl for one reason only, THE ADS, silly.

Well this year promises not to disappoint with all kinds of controversy in the news already, from Homophobic CBS playing the double standard by banning the too scary Mancrunch ads showing 2 male fans realizing their love for each other, (kissing, no less) but instead running the Tim Tebow Pro Life ad, to the government spend of $2.5M on Census Bureau promotions that has John McCain tweeting already.

What really has me excited though are all the brands that have decided to GIVE SOMETHING BACK…hello!

Pepsi has set aside $20M to forgo the typical super bowl spend, launching it’s Pepsi Refresh Project - “Thousands of Ideas, Millions of Grants, Submit Your Idea Today”, where they will let consumers choose community programs to receive the grant money.  Cool!

Pedigree Pet Foods will use their time slot to promote dog adoptions.  Very cool!

Kellogg’s Frosted Flakes has ads that will focus on doing good by rebuilding a kids playing field with their “Earn Your Stripes” campaign.  Nice!

And, Miller High Life has taken the opportunity to “Give It To The Little Guys” with humorous ads featuring small business from across the country, like a barber shop, a baseball card shop, a guitar store, a New Orleans Praline store etc.  Well, that’s different now, isn’t it!

I gotta think (or hope) that this is the way of the future.  Society has changed.  We’re waking up and realizing that there are people in our country, our neighbors perhaps, that could use a leg up.  And, I applaud the brands that have taken this first step.  How many will there be next year?  Anyone care to guess?