Motion Graphics | T2 + Back Alley Blog - Part 2

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me make summer


I wish it was that easy.
But unfortunately we will have to wait a few more months.
I used to look forward to spring, but this winter has been so crappy that now, I just want summer.

Anyhoo, that was the idea behind this post’s background.
I wanted to create something with a warm feel to it.
As always, your comments are appreciated.

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Five Years, Baby!!

So, five years is a long time, right? The world changes from minute to minute–so FIVE years–a lot happens and changes in that time. Well, five years ago T2 in partnership with Inland Sea Productions and the Kansas City Area Development Council started work on the “The Next American Dream”–a documentary on the revitalization of downtowns all across the nation. Kansas City was a natural fit for the documentary for a number of reasons. First, and most obvious – we live here! Duh!! Why would we shoot a doc on another city’s revitalization? We don’t live there and couldn’t watch the progress. Additionally, some folks had told KC officials that we were doing the rebuild the right way…and apparently doing it ahead of schedule. So…. off we went. Camera in hand. Again…and again….and again….and again….for like–4 years. It was like Groundhog Day, only we knew that we would ALWAYS have six more weeks of shooting and interviews. :)

Then, before we knew it, years 4 and 5 were upon us. We were in post and knocking out really fantastic story. T2 editor, Cara Myers, is a champ. Plugging away day after day–digging through literally YEARS of footage and interviews. Writers Aimee Larrabee and Larry Garrett helped to keep Cara sane while she was in the editorial suite. I have to admit, I often wondered if they drugged her….oops, I digress. T2 graphics, headed up by Michael Ong, brought the color and elevated entertainment value with the motion graphics. I loved being in meetings with Michael discussing the graphic look for the doc. I finally understood that when an artist would show Michael an idea he had for the documentary graphics–the sometimes response from Michael being “Interesting.”—actually means: “Whoa Nelley, that is kinda ugly and why don’t you give it one more shot.” Michael knew the look and feel of this documentary from day one. He stayed true to his vision–and we are all grateful for that amazing vision!

Premiere time. We finished the doc and it was time for the premiere–Oct. 7, 2009 at the new Power and Light AMC theater. We were all excited…but nervous that all of the folks were going to be looking at our newborn baby for the first time. Would they think its cute? :) They did and it has been a success ever since. Yes, it has been shown in over 40% of the United States and 32% of the top 50 markets–yes, all that is true. Now for the mushy stuff– it being shown in all of the markets in the world won’t touch the immense pride, joy and pure satisfaction I have for being apart of this documentary. A true labor of love. For me, it truly was a dream come true. I am looking for the next doc for us to sink our T2 teeth into–but nothing will match the passion of our first– “The Next American Dream.”

Flash me; Flash me not

Flash me; Flash me not
In the blind spot of Google
I don’t want to be

– Michael Ong

Footnote: Lately, there has been much discussions about how to improve T2 and Back Alley Films’ ranking in search engine results. It seems like there’s a list of cardinal rules one should not break, if one wishes to enter the pearly gates of Google or Bing. And unlike the Ten Commandments which were engraved eternally onto a couple of stone tablets, the search engines algorithm changes constantly, making it even more difficult to be pious. Since T2 and Back Alley Films are in the production and post production business, we are a visual design and storytelling company. It only makes sense for us to go with a very visual rich and dynamic site, to showcase our commercial productions, motion graphics and experiential design works. And naturally chose to design our site in Flash.

Anyone who was geeky enough to watch the streaming keynote of Steve Jobs unveiling Apple’s much hyped iPad, probably heard the almost audible cyber-gasps when the “missing plugin icon” appeared on the NYTimes.com page — a sure sign of NO to Flash.

I dug a little deeper and found out that apparently Google and Apple engineers are both working on standardizing HTML5, which is supposedly the new and improved programming language that reduces the need for proprietary plugin-based rich internet applications. Of course, Adobe (the developer of Flash) is the biggest opponent to it. In this case, will Google’s little eight-legged freak, Googlebot, ever make an extra effort to be friendlier to Flash sites?

All the geek talk aside, T2 has a beautifully designed and dynamic site, which won us the very prestigious FWA Site-of-the -Day title (September 17, 2009), but our all-Flash site is not at all arachno-friendly. Does the importance of SEO force many sites to sacrifice the design and dynamic impact of the ones built in Flash? How do we balance between maintaining the dynamic visual impact, which is the core of our business, and achieving higher ranking?

Dawn of a New Decade. Defined by the Underdog

From my first job in production to today

video reelMy first job in production was to watch director reels so that I could familiarize myself with the work, and the talent behind the work.  I had a grading system that filled notebooks full of my green critique – Back then, we had the giant ¾ inch tapes that needed an entire room of their own just to be housed. The room had a metal chair, no windows and sat directly across the hall from one of the most notorious office smokers in our building. As dreary as that Barney Miller-backdrop-of-an office was, it also came to represent the room where I would find my escape from the day to day. A new world opened up to me behind those closed doors, one that gave me a glimpse into the creative talent that I knew I wanted to work with one day.

The grading system was based on points, 10 being the highest. I hadn’t been exposed to advertising long enough to know how important any kind of relevant brand message was in commercials, so my grades went something like this – If there was anyone in a bikini, it got a 10. If there was a Harley spot on the reel, that director got a 10. Anything with Bo Jackson got a 10. But then my grading evolved as I watched reel after reel…I came to appreciate good composition. I started to recognize good acting. I began to see simple concepts make a very lasting impression. My notebooks grew in size, as I wrote about everything I saw and the emotions each spot would evoke. Some directors faded while others started to rise. What became obvious were the directors that stayed relevant with new work. Sure, it was easy for some who had a super bowl spot on their reel to stay relevant and get new bud light work each month. But, what caught my attention were the directors that flew under the proverbial ad-rat radar. These directors stayed busy by passionately driving the work on seemingly unknown and irrelevant brands – and in doing so, they became relevant in my eyes. I associated with their desire to make the most out of every opportunity you’re given. Spoon wrote one of my favorite lyrics – “You got no fear of the underdog, and that’s why you will not survive”.

At Back Alley, we’re building a team of artists –  those artists are a combination of visionaries with disciplines in directing, photography, writing,  music, art, and just about any imaginable creative outlet that defines and shapes their ambitions. Our job is to guard that ambition and throw our net as wide as we can in 2010, providing them with every opportunity to channel those disciplines into creating relevant work that will build brands, grow relationships with customers and create friendships with like-minded creatives & clients.

In the coming weeks, I’ll be blogging with our artists to capture what’s on their mind and relevant to them. I hope it will be information that becomes relevant to you. It’s the dawn of a new decade – one that will be defined by the underdog, and who chooses to seize the opportunities that others fear are no longer there.

Year of the Tiger

I heard today that 2010 is the Year of the Tiger in the Chinese Zodiac. I have no idea what that means, but I like the sound of it.

2009 had a dreary vibe to it, even if you were making money. Every one seemed to be waiting for the other shoe to drop and even the most ostensibly creative projects seemed somehow drained of energy. People walked around with dull looks in their eyes and no one ever said anything funny.

But this year will be different. Remember that scene in Apocalypse Now where the troop is walking through the jungle and that massive tiger comes out of nowhere? Every day is going to seem like that. Or most every day.

There will be a lot of negative surprises and there will be a lot of positive surprises, but there won’t be the boring, grey predictability that seemed to take hold for weeks on end in 2009.

The dull folks had their year. Now it’s time to let the fun people shake things up a bit.

Enjoy the tiger. I hope it doesn’t eat you.