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Augmented Reality – It’s Out of This World

Alright, so it’s only imaginary ‘out of this world’ but new augmented reality technology is being used much more by advertisers to blur the line between the real world and the virtual world. If you’re not hip to augmented reality (or AR), blogger Nick Brucher explains that AR is “based on holding a 2D image up to a webcam and then seeing a 3D image on screen.” Advertisers initially began offering consumers AR experiences through specially designed micro sites. For example, BMW developed this site so their consumers could experience using a Z4 coupe painting a canvas in a TV spot.

AR is now being integrated into both mobile and print executions, too. Mobile applications include things like AroundMe which allows consumers to locate restaurants, bars, museum etc., wherever they are simply by holding up their smartphones and VegasReality, designed by MGM Mirage, which merges real Vegas and virtual Vegas and delivers new ways to explore hotels, restaurants etc.

Print publications are making their magazine issues more dynamic by integrating AR. In the most recent issue of UK’s Grazia – readers were not only able to read about the dynamic front woman of Florence + Machine they were also able to make her sing and dance around.

One of the most dramatic integrations we’ve seen recently is being executed by JC Penney in partnership with Heart’s Seventeen.com to create a virtual dressing room. The days where consumers have to roll the dice and gamble on a piece of clothing they’ve purchase online are, in some instances, a thing of the past. Shoppers will automatically be fitted during the live-video stream (no symbols or pieces of paper here), and motion capture technology then enables users to “try on” different clothing articles they like by simply pointing at the screen. Here’s a video on how the dressing room will work:


Demo via Nick Burcher

Innovative magazine publishers and brands are turning to AR more and more and we think it’s awesome. AR allows readers to go beyond the pages and actually interact with the content. And, especially when it comes to the fashion industry, we’re seeing more and more of the players in the industry not only creating clothes, but creating innovative web content – and consumer experiences – as well. Teri Rogers wrote about that over here, and if you’re interested (and she’s always interesting), go check it out.

Bottom line, any time you can engage consumers on a deeper level it’s a big benefit. In the context of online shopping, AR enables consumers to better visualize what an item will look like on them – and can actually enhance the shopping experience – and most, important, help close the sale.

Kansas City Motion Design Internship

Pink Sprinkled Donut

This great internship comes with all the doughnuts you can eat. Virtual ones, that is. Who can resist that? Want to know more? Are you a motion design geek? Looking for the chance to do great work, learn a ton and work with some amazing collaborators? We’ve got all that covered. Here are the deets:

Paid internship opportunity (no relocation compensation)
Full time required
Start/End Date: November 1st – March 1st
Potential employment following internship

What We Want
Well, that’s easy. We’re looking for amazing, artistically talented abstract thinkers at a junior level technical expertise. Oh and we should mention that 50% of our creative team started as interns. Opportunity knocking!

What You Need To Do
Be yourself. Express yourself. Do it within specific visual and time constraints.

How To Get The Job
What? You thought it would be easy? C’mon. You’ve got to work for it. How? That’s easy. Visually represent who you are at your core without conventional descriptions such as your name, gender, age, ethnicity, physical appearance or specific life experiences.

Animation length
Minimum – 20 sec. | Maximum – 45 sec.

Visual Needs
Fully animated infographic. Requires, but is not limited to, the use of iconography and typography, After Effects and/or 3D.

Submission Process
Go to T2′s Vimeo group “Will Work for Doughnuts” and upload your video by 11:59 pm on 10/22/10. We’ll send an email to your Vimeo inbox announcing the winners and provide you with a personal critique of your work. We’ll also announce the winners here.

What You Can Expect From Us
You’ll get to work on cool stuff. Oh yeah. You’ll be assigned real-world projects and work with the guidance of a senior level graphic artist mentor. You’ll gain conceptual, artistic and technical experience in a fast paced production environment. You’ll also be given an exit interview with the senior design team, where we will review your updated portfolio, assess your development and explore the options available for the next step in your career!

Want to know what we’re really looking for? Check out the quality and style we are looking for check out these videos.

TakePart: Participant Media – Waiting For ‘Superman’ – Infographic from Jr.canest on Vimeo.

CRAZY ENOUGH – Title Sequence from Jr.canest on Vimeo.

Build Kansas City from Standard Social on Vimeo.

Give Them What They Need

StagePort Kansas City

As one who has lobbied hard for some brave soul or souls to create a soundstage in Kansas City, I am thrilled that StagePort has opened just across the street from T2 +Back Alley Films. And I’m not alone – all the local film makers, productions houses and agencies – in and outside the Crossroads Art District have welcomed this new addition.

Jeff Owens, a genius set designer and veteran member of the film community was responsible for building out the 12,500 sq. ft at the back end of the building that houses OfficePort and JavaPort. There is no one better than Jeff to take this on – and his involvement will guarantee StagePort’s financial success. He will be working alongside Jon Trozzolo in managing the facility that includes one large stage and two smaller ones. Jon and Jeff are co-owners of the facility, along with real estate partners Michael Edmondson and Shaul Jolles.

Lots of folks have considered this undertaking – but it was hard to make the numbers work when you consider the investment in the build-out, which is why it made such sense to get Jeff Owens involved. He is not only well connected and well respected within the film community, but he has the “chops” to do the work himself. It took a little longer for Jeff to take on such a large role in the construction process, but it made the investment more palatable. And Jeff got the community involved before the construction began – by contacting a large number of the people who would use it and asking them what they wanted in a soundstage. He brought in the best people to advise on acoustics, lighting, etc. – took that information and created a facility that would meet the needs of the customers who would use it. Pretty smart – pretty impressive.

That kind of homework – focusing on user experience and listening to customers and potential customers and building or creating what they need, instead of what you want – is really a critical component of business success today. I applaud their efforts and wish them much success.

StagePort is located at 208 W. 19th Street, in Kansas City, MO. For more details about StagePort, there’s a great article in the Kansas City Star. And, if you want to find them on Facebook or stalk them on Twitter, I’m sure they’d love the attention.

It’s Not About Then, It’s About Now

It's About NOW

The annual PromaxBDA conference is the largest entertainment marketing, promotion and design event in the world and attracts execs from top television networks, cable channels, media and creative agencies, design and emerging media and other industry leaders. PromaxBDA was held in late June in LA and it is, without question, an awesome conference. I went to the conference when it was held in Miami several years ago – and I wish I could have made it to this one. It’s always a gathering of some of the best strategists, marketers and true thought leaders in the creative fields.

This video features a snippet from a panel on inspiration, and what inspires leaders in the field. Moderated by Will Travis, Dentsu America, the panel included people like David Carson, David Carson Design; Timothy Fisher, CoFounder, Mk12; Mark Kudsi, Director, Motion Theory; Jakob Trollback, Trollback+Company; Garson Yu, President and Creative Director for yU+Co, along with several others.

I found their thoughts and challenges inspiring and thought you might, too. Under the jump, there’s a recap of some of their comments, in case you want to roll them around in your head like I did in mind.

Will Travis opens the clip talking about change and what scares him. He was challenged by having a big shop, one that helped change the way things were done in the industry – and what comes after that. “You can’t rely on your heritage, on who you were” he says. “It’s about who you are going to be – and how you are reforming that“ that matters now.

And then Trollback wonders, with the advent of the Internet and the fact that sources of inspiration now are so accessible, “are we better, because of that?” And he elaborates that it’s that process – the transformation of one piece of inspiration into another – that drives all of us.

“There is no control over quality anymore” when you put your creative work out there to the public, says Mark Kudsi from Motion Theory. “You lose the details that you put into something.” But then, sometimes, it’s so great to see what the public does when they see a message that you created, and it’s interesting to see how they modify it to suit their own message or their own needs.

David Carson talks about the fact that everybody is influenced by some thing or some body and says “the trick (as a designer) is to take what got you into this field and make it your own.” I like that. And he mentions the creative’s perpetual lament “the tighter the boundaries imposed by a client, the harder it is” to deliver something that will really work for them. Alas. If only clients really understood that.

Bottom line, PromaxBDA is on my list of conferences I should attend whenever I can. It would be great to see you there, too.

SIGGRAPH 2010 Kicks Off Sunday in Los Angeles

SIGGRAPH 2010SIGGRAPH 2010 kicks off Sunday in Los Angeles.  SIGGRAPH is the annual expo dedicated to computer graphics and interactive technologies.
 
At this year’s event, there are an estimated 25,000 geeks and techies assembled under one roof to discover what’s next.
 
SIGGRAPH 2010 covers a wide spectrum of topics. From 3D animation to interactive visual effects and even experimental scientific visualization.  A few highlights of SIGGRAPH 2010:
 
Computer Animation Festival
The Computer Animation Festival features a full spectrum of genres and styles, ranging from narrative character animation to scientific visualization, commercials for mainstream TV, and cinematic digital effects. In addition, the prestigious Electronic Theater and a series of screenings.
 
TRON: Legacy panel
The highly anticipated film TRON: Legacy a 3D high-tech adventure be the focus of a filmmaker panel discussion on Tuesday, 27 July 27 at 3:45 p.m. PST.
 
SIGGRAPH 2010 kicks off Sunday — check out the clip below for a preview.
 
SIGGRAPH 2010: