Experiential Design | T2 + Back Alley Blog - Part 2

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Experiential Design: Why It Works

When I read that Volkwagen’s “The Fun Theory” and Nike Livestrong’s “Chalkbot” experiential design work won the 2010 Cannes Festival Grand Prix, I was ecstatic. We’re all aware that advertising is changing. But, it’s quite amazing to see that experiential design is elevating, and has gained acceptance as a communication device.

The Fun Theory is a competition itself where people can upload ideas designed to make mundane tasks interesting. Take the winning submission for example:

And the Nike Chalkbot was a machine that would imprint hopeful messages along the Tour De France– submitted through texting, Twitter and a website. The Chalkbot received some 23,000 messages to be chalked on the roads of France, so it was truly a viral experiential phenomenon.

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Cannes Winners Signal Profound Change in Advertising

Vintage Cannes Poster - 1939

Design + Technology is the hot new “creative” as it relates to the ad industry. The big Cyber Grand Prix winners at Cannes are indicative of where advertising and the world of design are headed. There’s no argument that great design will always be great design and regarded as such. But, in today’s advertising world, where we are routinely charged with producing great design that drives results, the addition of technology into the mix is, in my opinion, the best recipe for success.

DDB Stockholm’s work for Volkswagen took home a win for its terrific Fun Theory campaign that took ordinary experiences, added technology and not only made the experiences fun, but changed behavior as a result.

Weiden & Kennedy’s Chalkbot campaign for Nike Livestrong was evidence that by integrating technology into an event, you can actually bring the public into the event and make them a part of the experience, almost seamlessly.

In both cases, technology was the hero, and the driving force behind the concept, but the beauty of both of these integrated experiences is that the technology was invisible. The winners at Cannes validate that this is where the world of advertising is moving. Design + Technology may seem like strange bedfellows at first – similar to the traditional agency creative process integrating with the digital creative process. Those agencies that mastered that were way ahead of those who kept them separate.

For us, it has been an adaptive process over the last couple of years. Our designers were at the top of the heap – so we had to learn how to embrace the collaborative effort between technologists and designers. There were fits and starts – but today, I can say without reservation that the line between our designers and our technology gurus has blurred into one big integrated space. And happily, it has changed the face of our business, as well as the kind of work we are able to do for our clients.

*The poster is the 1939 Cannes Film Festival vintage poster, which is from the year of the planned festival debut. The film festival was canceled that year, because of the start of World War II

Creative Expression

There are not many things I like more than performance art.  I’ve been hooked ever since seeing Laurie Anderson at the student union during college four different times, and then subsequently another few times since moving to Kansas City. Looking back at some of her videos, her work, especially the video projection work that blew my mind back then, it seems very pixelated and crude.  But, she was cutting edge, not only with her projection art, but her costumes, her synthesized voice box and wonderful storytelling.  Oh, we’ve come a long way, haven’t we!  My love of performance art, combined with any other form of expression whether it be music, dance, costumes, or visual effects – best case scenario, a combination of them all is probably what got me involved this industry.  Visual effects ~ I can’t get enough!

This may not be everyone’s cup of tea.  If you liked Avatar, even just a little you might get a kick out of this. Unlike Avatar, (which I saw in 3D and didn’t want to end), this story doesn’t completely woo me, but it’s an interesting little short.  Part of a trilogy called “Becoming”. It’s got it all, little glowing bugs, costume, dance, and even some awesome body paint.

It’s probably why I’m so drawn to experiential design these days.  I can’t wait to see advertising become performance art!  There are some amazing examples out there, more and more each day ~ and they are hard at work, increasing brand awareness and most importantly, increasing sales.  One of my favorites is the Fizzy Billboard for Chang Soda, where they created a memorable experience multiple times during the course of 1 month (making ROI very easy to track!).

I, for one, hope this trend continues to push the envelope, and change the landscape of the brand experience.

me make summer


I wish it was that easy.
But unfortunately we will have to wait a few more months.
I used to look forward to spring, but this winter has been so crappy that now, I just want summer.

Anyhoo, that was the idea behind this post’s background.
I wanted to create something with a warm feel to it.
As always, your comments are appreciated.

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-CCC

Flash me; Flash me not

Flash me; Flash me not
In the blind spot of Google
I don’t want to be

– Michael Ong

Footnote: Lately, there has been much discussions about how to improve T2 and Back Alley Films’ ranking in search engine results. It seems like there’s a list of cardinal rules one should not break, if one wishes to enter the pearly gates of Google or Bing. And unlike the Ten Commandments which were engraved eternally onto a couple of stone tablets, the search engines algorithm changes constantly, making it even more difficult to be pious. Since T2 and Back Alley Films are in the production and post production business, we are a visual design and storytelling company. It only makes sense for us to go with a very visual rich and dynamic site, to showcase our commercial productions, motion graphics and experiential design works. And naturally chose to design our site in Flash.

Anyone who was geeky enough to watch the streaming keynote of Steve Jobs unveiling Apple’s much hyped iPad, probably heard the almost audible cyber-gasps when the “missing plugin icon” appeared on the NYTimes.com page — a sure sign of NO to Flash.

I dug a little deeper and found out that apparently Google and Apple engineers are both working on standardizing HTML5, which is supposedly the new and improved programming language that reduces the need for proprietary plugin-based rich internet applications. Of course, Adobe (the developer of Flash) is the biggest opponent to it. In this case, will Google’s little eight-legged freak, Googlebot, ever make an extra effort to be friendlier to Flash sites?

All the geek talk aside, T2 has a beautifully designed and dynamic site, which won us the very prestigious FWA Site-of-the -Day title (September 17, 2009), but our all-Flash site is not at all arachno-friendly. Does the importance of SEO force many sites to sacrifice the design and dynamic impact of the ones built in Flash? How do we balance between maintaining the dynamic visual impact, which is the core of our business, and achieving higher ranking?