Back Alley Films | T2 + Back Alley Blog - Part 2

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me make summer


I wish it was that easy.
But unfortunately we will have to wait a few more months.
I used to look forward to spring, but this winter has been so crappy that now, I just want summer.

Anyhoo, that was the idea behind this post’s background.
I wanted to create something with a warm feel to it.
As always, your comments are appreciated.

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It’s Up to Every Single One of Us – Stand Up to Cancer

I started my Saturday by watching the incredible video created by Back Alley Film’s talented Selwyn Brothers.  The Up2 You + Me song was written and performed by Zach and the video directed by brother, Jesse, and is upbeat, captivating and, most importantly, compelling. Actor Jim Parsons did a great job of portraying some 30 different wacky characters and that, in conjunction with Zach Selwyn’s good looks and great lyrics, makes the video something you want to watch again and again.

Equally as exciting as the creation of the video, is the fact that Microsoft and X-Box teamed up with Stand Up to Cancer and agreed to sponsor a media campaign to help spread this message. They agreed to donate content space on Xbox LIVE games for the month of February 2010, in attempt to engage their LIVE community in the fight against cancer. The month is drawing to a close, and it will be interesting to learn, from a statistical standpoint, how effective this campaign was. It’s hard to imagine that other viewers weren’t as captivated – and as compelled to grab their credit cards and donate – as I was.

The message is clear – It’s up to you, and me, and every single one of us under the sun to stand up to cancer. No matter who we are, no matter what we do, no matter what our life circumstances. If we stand up to it, together, we can make a difference.

Accelerate. Collaborate. Give. That’s their message. Love it! Watch the video for yourself and let us know what you think.

The Kansas City Addys – A Celebration of All Things Creative

Maybe we were all a little battered and bruised from a brutal year, but the KC Advertising community came out in full force last night for the 2009 Addy Awards Celebration, the largest regional advertising awards show. It turned out to be a broader mix of winners than usual — speaking volumes about a changing industry. But most notable to me was the palpable feeling of pride we all shared in one other’s successes.

Bernstein, Barkley and VML clearly dominated in the sheer number of awards they each received. And it was great that not just one of them dominated — but that they all fared well. I was happy for each of them for different reasons. Clearly, BR has had its challenges this past year, so I was particularly happy to see them win Best of Show this year. And it was heartwarming to see Matt Anthony at VML win Advertising Professional of the Year – and, though health challenges prevented him from accepting, Jon Cook’s report on his improving condition brought the entire room to their feet.

And, though it may be a bit self serving, I loved it that SHS won Best of Broadcast for a public service spot created for an on-line campaign for Water.org. The L’Desh Fresh campaign was created and written by SHS — and then directed and edited by T2_Back Alley artist,  Pete Meyer. Pete is the absolute epitome of the commitment we have at T2 and Back Alley of joining forces by bringing together a broad spectrum of creative talent –and merging the production and post production processes.

Also exciting was the fact that there were many non-agency winners for what might have been the first time ever this year. Lots of photography, design, animation and music houses made the evening, garnering some terrific awards. Talented folks like rw/2, Berg, Willoughby and Bazillion. And we were thrilled to join those ranks and win some awards that don’t traditionally go to non-agencies as well. It’s most notable that all these small shops were not only winning awards, but many of the awards typified a new trend of companies working and collaborating together on projects.

rw/2 took home an amazing number of Addys for House of Fly 53 and MADD — both integrated campaigns that spanned print, motion for broadcast and online platforms. House of Fly 53 included an interactive short film that they produced with Back Alley Films, edited with T2, and produced the music/sound mix through Bazillion.

MADD included both a broadcast and online spot produced by Back Alley, edited by T2 and scored by Bazillion. As internationally acclaimed still photographers, the Wade Bros. have crossed over to “motion” and joined the other multi-talented artists on the Back Alley roster. It’s a roster of directors, designers, photographers, writers, editors, documentary film makers and viral content pros — all who speak to a new age of advertising that includes integrated and viral campaigns on multiple platforms.

This year’s Addys might well speak loudest of all to changing roles, changing structures and a tighter connection between talent and technology — in an industry that is clearly changing. And, speaking of talent, I looked across the T2-Back Alley tables last night — at Carson and Cody and Michael and Garrett and Claudia — and Pete and Tyler and Nicole and Nick and all the rest of the team — and I realized that I felt hopeful again. And it’s certainly a welcome feeling.

I was certainly proud of the 7 Addy cubes we carried out last night – and the 6 more that were entered by other agency and non-agency partners . . . but what really made me most proud was this group of amazingly talented, diverse and passionate people. And though these people no doubt gathered last night to celebrate their work, they also gathered to celebrate each other and revel in notion that we all are motivated — on a daily basis — by our innate desire to create. Maybe that was what everyone else in the room was feeling too.

DESIGN PEEPS HATE THE SEARCH ENGINES

Yeah, I know we’ve been bashing the search engines on this blog. Flash isn’t good enough for them – so what is a creative, design driven business to do? I guess we’ll just have to bore you with a description of what we do – with every key word and meta-tag we can think of. We’ll have to stop just looking at the work – and assuming folks know what we do – and how we do it. We’ll have to actually think about how we define – or maybe redefine – ourselves in this ever-changing media landscape. And that, we have discovered, is not nearly as easy as just showing our work.

In talking to our writers about how they would write about us to optimize for search engines – we had to take a hard look at who we are – or maybe in our case, just who we had become over this past turbulent year. We also had to remind ourselves to quit talking about us – and start thinking about the benefit we provide to our customers. What makes us relevant to them. What’s the value add? It’s the lecture we give all of our customers. Stop talking about you – and talk about how you matter to them. Now we had to drink our own Kool-Aid – and it wasn’t all that sweet.

So, we started the process by rambling about what we do – and what makes us stand out from others who do what we do. For instance, we said, T2 is a post production company that has unusual talent and emphasis in visual design and story-telling. Our guys are masters at mixing live action with design and animation – and re-purposing that content to achieve multiple exposure on multiple media platforms. Oh yeah, and T2 started a new Experience Lab – which is all about creating an experience, which purposefully, we have designed to  live on through word of mouth marketing.

Then we tried to define our other division, Back Alley Films. We said it was formed for the live action part referenced above. We wanted to be able to do the whole thing from concept to finish – because that gives us more control over the creative product so we know it will be effective – and it saves time and money. But it’s also true that Back Alley has grown beyond just that – into this ragtag team of multi-talented artists that are writers and directors and musicians and documentarians and photographers and viral message experts.

Bottom line, the message we ultimately charged our writers with communicating, was that when the BAF artists team up with the T2 designers and editors, we have a creative powerhouse of talent and expertise in storytelling – mixed with a broad knowledge of how to go to market – with traditional media, on-line media, experiential and viral platforms.

So, what does all that mean to our customers, they asked? The all important question.

It all boils down to this, we said. Video content can show up anywhere today – on any platform – television, on-line, mobile devices, billboards, buses – you name it. But “effective” video content and successful media distribution is what matters to our customers. They don’t care about the “art” of what we do — or how many “awards” we have won. We care about that.

They care about whether we can do what we do successfully, and save them time and money along the way. They care about how much we know about marketing in today’s complex media environment. It matters to them that we have the creativity and talent to produce an engaging message – but they also care about whether we know how to drive people to it – and then compel them to pass it on. Everyone cares about viral marketing these days. It’s fast and its cheap – but its not that easy to achieve. So, our customers want to know that we know that we have had success in creating viral campaigns.

So, if video content is king in 2010 – is marketing and distribution knowledge the value add? Is it really that simple? Does seeing our work matter at all – or is it really the case studies of the work that are relevant to the customer? The debate goes on. Weigh in.

Flash me; Flash me not

Flash me; Flash me not
In the blind spot of Google
I don’t want to be

– Michael Ong

Footnote: Lately, there has been much discussions about how to improve T2 and Back Alley Films’ ranking in search engine results. It seems like there’s a list of cardinal rules one should not break, if one wishes to enter the pearly gates of Google or Bing. And unlike the Ten Commandments which were engraved eternally onto a couple of stone tablets, the search engines algorithm changes constantly, making it even more difficult to be pious. Since T2 and Back Alley Films are in the production and post production business, we are a visual design and storytelling company. It only makes sense for us to go with a very visual rich and dynamic site, to showcase our commercial productions, motion graphics and experiential design works. And naturally chose to design our site in Flash.

Anyone who was geeky enough to watch the streaming keynote of Steve Jobs unveiling Apple’s much hyped iPad, probably heard the almost audible cyber-gasps when the “missing plugin icon” appeared on the NYTimes.com page — a sure sign of NO to Flash.

I dug a little deeper and found out that apparently Google and Apple engineers are both working on standardizing HTML5, which is supposedly the new and improved programming language that reduces the need for proprietary plugin-based rich internet applications. Of course, Adobe (the developer of Flash) is the biggest opponent to it. In this case, will Google’s little eight-legged freak, Googlebot, ever make an extra effort to be friendlier to Flash sites?

All the geek talk aside, T2 has a beautifully designed and dynamic site, which won us the very prestigious FWA Site-of-the -Day title (September 17, 2009), but our all-Flash site is not at all arachno-friendly. Does the importance of SEO force many sites to sacrifice the design and dynamic impact of the ones built in Flash? How do we balance between maintaining the dynamic visual impact, which is the core of our business, and achieving higher ranking?