I believe strongly in collaboration – both internally and externally (though that can sometimes be challenging in a competitive market).   Inside T2 +Back Alley Films, our groups and skill sets are integrating more and more in every job we do.

The Kauffman Grand Opening work this past September was a perfect example of that – with four internal groups – interactive & Experiential combined with motion graphics and animation, editorial and Smoke finishing, and Back Alley for the production and shooting with the Weiss camera – working together to make it happen.   No single group could have achieved what we did on that project without the creative input and skill sets of the other groups.

This is essentially why eCamp started; a group of people in the production and post production industry got together and decided that we could only benefit from sharing what we know. We each come from a different market, but the same industry and so, without feeling the need to be competitive, we are able to talk frankly about what has worked for us and what hasn’t — the challenges we face, and our best operational practices. This has been particularly helpful these past few years – as our industry was struggling with the recession and technology advances that were significantly changing the nature of our business.   It has been interesting to see how each business is evolving to meet the needs of the changing world we are all experiencing.  It was also interesting to note that most of us  had called on other companies within the group this past year  – to collaborate on a project or two.

A definite perk.

I was thrilled to introduce my colleagues to a local genius right here in KC – who was our guest speaker.  Stefan Mumaw is the author of several books about the creative process – but he focused on his latest, Chasing the Monster Idea, which explored the difference between good ideas and great ideas, and how to deploy the great ones. Several in the group plan to book Stefan to speak in their own markets.  Finally, we ended our time together by a work showcase – where each company got 10 minutes to show their best work.  It’s always my favorite part.

Thanks to the eCampers for a great weekend.  And those of you who couldn’t make it this time, we missed you.  Next time – in Columbus, Ohio.  See you all there!

The T2 + Back Alley team was thrilled to be a part of the production of the campaign. And recently, they were written up in Screen Magazine where you can watch them all! Here’s a little bit about how those spots came together…

If you’re not familiar with Runza, they are a regional restaurant group with a rabid cult following. They have no intention to compete in hundreds of markets across the country, nor to extend their hours into breakfast or late-night like the national chains. So, when it came to making these spots, they thought the best way to stand out would be to poke fun at the competition and talk about how they’re different.  And that’s exactly the approach they took with Swanson Russell, their Nebraska based agency, and us, their trusty production partner.

First order of business: find the perfect Runza Spokesman – someone who could be self-deprecating, but remain compelling to viewers while not being annoying. Back Alley Films’ very own Creative Director, Pete Meyer, turned to Chicago, a market well known for its strong improv talent, and cast Tim Ryder, part of the famed Second City ensemble.

“The scripts were pretty funny to begin with but we would have been fools not to utilize Tim’s improv skills to improve the spots,” said Meyer. “Once we knew we had the scripted versions in the can, we let him improvise on longer takes. Working in this looser structure made the shoot days and the editorial process a lot more fun for everyone.”

Once the spots were shot, Meyer donned his editor’s cap to cut them together while our Creative Director, Travis Schlitter, directed our design/animation team to create the motion graphics. “We really enjoyed developing the visual style for Tim’s stream of consciousness,” said Schlitter. “The loose pen and ink illustrations bring interest and energy to the spots with the right balance as to not overpower his performance.”

Together, along with the Swanson Russell team and, of course, Runza, we created a 5-spot campaign we are quite proud to show you.

Runza will run the spots in their regional markets, rolling them out in a series throughout the fall.

Credits for Brand Spots:
Pete Meyer – Director – Back Alley Films
Andy Romero – Director of Photography
Head of Production – Ethan Downing – Back Alley Films
Postproduction Executive Producer – Nicole Melton – T2
Director/DP (Food Spots) – Russ Hadley
Pete Meyer – Editor – T2
Alex Kane – Assistant Editor – T2
Animation & Motion Design – Travis Schlitter & The T2 Design Team
Smoke Finishing – Jen Paine – T2
Music – Matthew Thornton
Mix/Sound Design – Jim Schrader – Sky Recording
Copywriter – Charlie Stephan – Swanson Russell
Art Director – Greg Bousquet – Swanson Russell
Chief Creative Officer– Brian Boesche – Swanson Russell
Runza Marketing Creative Manager – Vizma Shaeffer

This year, there are a few opportunities to get your film geek on at Fringe—a couple individual projects will be airing throughout the week, and larger organizations will feature multiple film showings.

The Art Institutes International of Kansas City is showcasing several short films created by students in the Digital Filmmaking & Video Production program. The photography, film, and mixed media pieces will be screened daily at The Wine Gallery (1911 McGee), absolutely free (with your Fringe Festival button of course) for the rest of the Festival—go see what these budding filmmakers are creating!

And the Independent Filmmaker’s Coalition of Kansas City has three more night showings of its own “Best of IFC Short Films,” featuring the best films produced by members in the past several years. At least twenty different IFC members will be showing their films, so you’re bound to get an eclectic, exciting variety throughout the evening. The films are showing Tuesday, Wednesday, and Thursday evening at Fringe Central (1730 Broadway), and admission is $10 with your Fringe button.

So get your artsy on and check out these film screenings! We at t2 love supporting local filmmakers and artists of all kinds, so go on, check out all there is to offer this week at the Fringe website. And if you’re truly inspired by what you see, attend the weekly IFC meeting at the Westport Coffee House, every Wednesday at 7:30 pm. Maybe you’ll see your own name up on the screen next year!

And believe it or not, they are all excited to come to Kansas City next September when T2+Back Alley Films will host the group. Boston, San Francisco…Kansas City? Why not?

Heller’s piece explored the 1954 George Cukor film “It Should Happen to You” starring Judy Holliday and Jack Lemmon. The film’s main character was Gladys Glover (played by Holliday). Much like the Kim Kardashians and Paris Hiltons and Perez Hiltons of today, Gladys was a nobody who wanted to be somebody. And she was determined to get it, come hell or high water. And, the fact that she was loaded and not afraid to spend money didn’t hurt her in her quest for fame.

To accomplish her goal of ‘being somebody’ Gladys rented an empty billboard in NYC’s Times Square. A manufacturing company who wanted the space was surprised when she turned out to be a tough negotiator. Six billboards later – billboards bearing nothing but her name – Gladys had what she wanted. Attention. And just like the ‘somebodys’ of today, she milked it for all it was worth.

Heller calls it the beginning of the ‘me’ generation. That may well be the case. But I think it’s also a pretty good example of the old adage: Advertising works. It can even make a nobody a somebody. And it never ceases to amaze me how many businesses forget this simple adage. Just because you build it, doesn’t mean they will come. Advertising – of some form or another, is just about always an important component of any successful strategy.

Experience design is not just the hottest thing in marketing and for brands trying to drive engagement and sales, it’s soon to be an even bigger part of our lives. There’s a great new search tool, Qwiki, that was introduced during TechCrunch Disrupt this past September that brings experience – and experience design – into the search process.

Currently, when you search for something you get a list of links that may or may not provide all the information you seek. And it’s not always a very dynamic way to find what you need. Qwiki provides interactive video presentations with dynamic information pulled from a multitude of sources. What’s better, is that each information element that’s pulled into the presentation is interactive. So, if you click a video or photo while watching a Qwiki information experience you can interact with that piece individually. Also all related maps, timelines and other elements are highly interactive as well.

Qwiki at TechCrunch Disrupt from Qwiki on Vimeo.

Right now Qwiki is a very cool interactive reference tool, but it is actively working on developing products for small businesses and social media users. Social media users will be able to create Qwikis based on their social data aggregate, while small businesses can aggregate reviews from sites such as Yelp, Gowalla and others. Regardless of the end user, Qwiki CEO, Doug Imbruce says their ultimate goal is to become “a ubiquitous layer that augments the traditional web.”

You should definitely go check out some of the sample Qwikis available on their site. The Eiffel Tower Qwiki is a great example of a simple search and infinitely more interesting than what you get from a Google or Wikipedia search. There’s also a Qwiki about Gregory Smith that shows how social media information can be aggregated

Qwiki founders believe that the best ideas are experienced – so if Search goes experiential – what’s next? Since experiential projects and experience design are a big part of what we do – and since we believe that any information is better when it is experienced by the user, we will love seeing how quickly Qwiki will change the way we all search for information. Love, love, love it.

Designing mobile marketing solutions for our clients is an integral part of our business plan. If you’re reading this blog, I’m probably not telling you anything you don’t already know. We are a mobile society and carry our mobile devices with us everywhere. If we leave the house without them, we turn back and get them — the thought of getting through a day without connectivity in the palm of our hands is untenable.

A billion people accessed the mobile Internet worldwide in 2009 and Gartner forecasts call for expect usage to double within five years as mobile overtakes the PC as the most popular way to get on the Web. Additionally, according to MarketingProfs’ mobile devices are the most personal method of reaching people and messages are more likely to be read on the small screen than they are on the big.

According to an Outsell study, consumers who have a smartphone spent an average of more than 25% of their waking hours interacting with their device. That same research shows that by 2014, more than half of web browsing will be done from mobile devices.

Despite this clear trend, 56% of marketers are currently doing no mobile or browser advertising. With devices such as the iPad, Android and iPhone becoming capturing increasingly more marketshare, marketers could be missing out on big rewards.

Mobile advertising is still in its early days but this space represents huge opportunities for marketers across B2B, B2C, E-commerce and non-profit organizations. Gartner predicts that by the end of 2010, 1.2 billion people will carry handsets capable of rich, mobile commerce and that that will be the preferential way of reaching consumers.
This is exactly why my company is designing for the mobile space. It’s not going away — and according to the stats above, helping clients develop mobile marketing solutions should be a growing business segment for T2+Back Alley Films.

• The average U.S. Internet user watched 186 videos per month.

• 183 Million Americans watched a total of 33.9 billion online videos in the month of   May alone.

• YouTube, naturally, is the top dog when it comes to online video content viewed at 143.2 million unique viewers, with Yahoo! Sites coming in at 55.1 million unique viewers.

• Facebook is rocking it as an online video portal, coming in third overall, with some 46.6 viewers (only a million more than Microsoft sites.

• Americans viewed nearly 3.6 billion video ads in July, with Hulu generating the highest number of video ad impressions at 783 million.

• comScore calculated that video ads reached nearly half (44.5%) of the total U.S. population an average of 27 times in the month of July alone.

• More video is uploaded to YouTube in 60 days than all 3 major US networks produced in 60 years.

• From 2005 to 2010, Online video grew at a phenomenal rate of 910%, versus 114% for the Internet and 0% for TV.

910% growth? Oh yeah, video is everywhere. And now you know why I spent so much time checking this out. It’s an optimistic sign for our industry – and certainly our experience in the work we’ve been producing this past year back all this up. These ad spending stats from eMarketer back all this up as well.

And the world of video content production has changed significantly. Back in the day, the agency world (and thus my world), used to focus on the :30 spot. Today, there are less ads and more branded content. We see less advertising produced by creative teams at agencies and executed by motion graphics firms and more content produced by way of partnerships between advertisers and content producers. For consumers who live in a fragmented world and who are constantly bombarded with stimuli and messages of all kinds, one piece of content (e.g. that :30 spot) just isn’t enough. Smart marketers are adopting a strategy of enveloping their audience in a fog consisting of a variety of messages rather than hitting them over the head with just one message.

And the reason for the messaging has changed. The website has become the hub of a brand’s business operations and a significant place for brands to engage their customers. Facebook, YouTube, Twitter and other social media outlets are becoming equally as important, and viewed as a complement to a brand’s website. Thus, it’s critical that branded video content is created with these different venues and varying strategies in mind. Sometimes the content is developed for brand enhancement purposes, sometimes it’s to entice them to a site, sometimes it’s goal is to engage website visitors once they get to a site, and keep them there longer. And other times, it’s developed for lead generation purposes. And more goals mean more content.

I think the future of video content is pretty clear. I bet at T2 + Back Alley Films, we’ll just keep producing more of it and doing it less expensively. It only makes sense.

Mobile and location-based experiences are on savvy marketers’ minds these days, as they are great at helping create buzz and compelling consumers to do something. Jimmy Choo’s Foursquare scavenger hunt during London’s fashion week is a great example of a location-based initiative that not only created a ton of buzz, but also drove sales as women ran all over London in search of the current “it” shoe.

We worked with the folks at PRNewswire to create a scavenger hunt experience based on QR codes for use at the PRSA annual conference held in Washington, DC this past week. This created not only excitement for conference attendees, but also doubled as an experience (and a competition) that served to make the event even more memorable. Additionally, it created a lot of buzz for the PRNewswire brand and, ultimately, got a lot of PR and marketing pros thinking about how they could use experience design in innovative ways for their clients.

Want to know more about how companies can use strategic media placements and a variety of new and emerging channels to engage their audiences? Join us for a FREE webinar sponsored by PRNewswire this Wednesday, October 20th, at 12 PM Central.

The panel will be moderated by Michael Pranikoff, PRNewswire’s Director of Emerging Media, and he’ll be joined by T2+Back Alley Films’ Interactive Experience Designer, Garrett Fuselier and the very smart Amy Webb of Webb Media Group.

For more information and to register, click here.