Michael Ong | T2 + Back Alley Blog

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Gratitude

There aren’t enough words
to express my gratitude
in such short Haiku

– Michael Ong

Everything has its time. Sixteen years definitely flew by fast and, when you really love your job, it becomes part of you. T2 is definitely part of my DNA. As I’m looking back at this juncture, my heart is filled with gratitude. I am who I am today in large part because of Teri Rogers and T2. I owe it to everyone whose paths I’ve crossed while at T2 — mentors, co-workers, friends and clients. I’ve learned and grown, been challenged and encouraged, as well as recognized and rewarded. I have loved every moment of it! And rest assured, making the decision to leave T2 was one of the most difficult decisions I have ever had to make. However, it was one of those rare occasions
when all the stars lined up, and I knew it was time for me to take that next step.

It’s been great working quietly behind the scenes to beef up the team at T2 with a wide variety of talented people and I’m confident the team we’ve assembled will continue to add fresh thinking, a collaborative mentality and forward-thinking design to the solutions T2 brings to its clients.

I know I’m going to miss everyone at T2. They are my family. But the nice thing about family is that you can work in different places and still continue to be very close. I¹m looking forward to that. I am going to miss the incomparable amazing workplace that can never be replaced and saying “goodbye” is hard. It is easier for me to say this: Thank you. Thank you. Thank you for the life experience you’ve given me.

Michael Ong

Bon Appétit!

Dining by Design
Perpetual open canvas
for creative minds

– Michael Ong

T2 / Harvest Productions Dining by Design Table from T2 + Back Alley Films on Vimeo.

Footnote: DIFFA (Design Industry Foundation Fighting AIDS) just had its 20th year of Dining by Design in its founding city – Kansas City. I’ve been attending the Gala event for many years but I’ve always felt being in the production/post-production and motion graphics business, that we were sort of on the fringe of the so-called design industry, which for this particular event, meant architects, interior decorators and florists. However, this function has grown over the years and has become the signature event nationwide, in major cities like NYC and San Francisco. As a result, the event now attracts a more diverse group of participants and the level of creativity and passion the designers put into their works was really amazing beyond words. In a recent Fast Company interview, John Waters aptly called it “the Cannes of tabletop.”

Today, multimedia technology has infiltrated every facet of our lives and it’s a big area of focus for our creative teams at T2. Since the gap is now closing, we decided it’s time for us to design a table!

Once we secured our choice partner – Harvest Productions – to be part of the team, we knew we could bring our Dining by Design table to a level that most attendees had never experienced before. What we came up with was basically a blank canvas of everything white: table, chairs, plates, tablecloth, linens, centerpiece and floral arrangements; decorated in a sleek and minimalist approach. We intentionally primed simplicity on our table settings so we could project a perfectly calculated motion graphic imagery onto its surface. Even though Harvest Production has a huge inventory of multimedia tech toys that would wet any geek’s pants, we chose a softer approach in which a single projector was installed at fifteen feet above the table and let the content do its magic. The “technology” seemed to disappear out of sight and we could still decorate the table with everyday familiar surfaces and textures; no foreign machinery or fan noise that would encroach on a pleasant dining experience.

The result: When the house lights dimmed, our table came to life! There were kaleidoscopic patterns on the plates, and undulating forms and lights radiated from the centerpiece, making an otherwise dead and leafless collection of branches wave. The plates and table each had their moment to shine, in a seemingly endless loop of light dance and hypnotic patterns. What can I say? The guests ate it up! We were very pleased with the outcome and would like to share it with the rest of you who couldn’t make it to the event. Bon Appétit!

Credit: T2 – Michael Ong/ Creative Director/Motion Designer, Garrett Fuselier/Experience Designer, Claudia Chagüi/Motion Designer, Drew Bolton/Volunteer Designer, Andrew Kuttler/Volunteer Designer, Derek Ferguson/Producer, Nick Balda/Editor.

Harvest Productions – Joe Athon + the rest of his team.

Let’s do it again next year!

Let me edutaine you…

Fun infographic!
Well-designed edutainment
with facts and figures.

– Michael Ong

JESS3 / The State of The Internet from Jesse Thomas on Vimeo.

Footnote: Jesse Thomas did a fantastic animation on Vimeo, comprised of a series of fun factoids on the state of the Internet. All fascinating contents aside, the presentation of the facts are witty and entertaining. I’m a big advocate for camouflaging complicated and voluminous information and making it fun and entertaining. This piece reminds me of the motion graphic we worked on for the documentary, “The Next American Dream”, which has 226 airings on 90 PBS stations in 59 markets in 22 states so far. As the Art Director for this project, the challenge I posed for the motion design team was this: “How could we translate a long and confusing statement into something as simple as it can be? And most importantly, it has to be entertaining.” I’m proud to say that we successfully made the otherwise arduous textbook facts into a living-room friendly material. If you have the opportunity, watch The Next American Dream sometime – I’d love to know how you think we did. (How many times did I say entertaining?)

Flash me; Flash me not

Flash me; Flash me not
In the blind spot of Google
I don’t want to be

– Michael Ong

Footnote: Lately, there has been much discussions about how to improve T2 and Back Alley Films’ ranking in search engine results. It seems like there’s a list of cardinal rules one should not break, if one wishes to enter the pearly gates of Google or Bing. And unlike the Ten Commandments which were engraved eternally onto a couple of stone tablets, the search engines algorithm changes constantly, making it even more difficult to be pious. Since T2 and Back Alley Films are in the production and post production business, we are a visual design and storytelling company. It only makes sense for us to go with a very visual rich and dynamic site, to showcase our commercial productions, motion graphics and experiential design works. And naturally chose to design our site in Flash.

Anyone who was geeky enough to watch the streaming keynote of Steve Jobs unveiling Apple’s much hyped iPad, probably heard the almost audible cyber-gasps when the “missing plugin icon” appeared on the NYTimes.com page — a sure sign of NO to Flash.

I dug a little deeper and found out that apparently Google and Apple engineers are both working on standardizing HTML5, which is supposedly the new and improved programming language that reduces the need for proprietary plugin-based rich internet applications. Of course, Adobe (the developer of Flash) is the biggest opponent to it. In this case, will Google’s little eight-legged freak, Googlebot, ever make an extra effort to be friendlier to Flash sites?

All the geek talk aside, T2 has a beautifully designed and dynamic site, which won us the very prestigious FWA Site-of-the -Day title (September 17, 2009), but our all-Flash site is not at all arachno-friendly. Does the importance of SEO force many sites to sacrifice the design and dynamic impact of the ones built in Flash? How do we balance between maintaining the dynamic visual impact, which is the core of our business, and achieving higher ranking?

I Want World Peace and Good Kerning.

One of my pet peeves:
Poorly kerned typography
Like ugly bad teeth

– Michael Ong

Footnote: Really. Is it really too much to ask? I know, one would argue: There are way more important issues in life than being bothered by the spacing between letters…perhaps like saving the earthquake victims of Haiti or winning the war in Afghanistan. Or how about important domestic news like Conan O’Brien, who has just gotten $45M richer, and Cosmopolitan, who is inviting the new Senator of Massachusetts, Sen. Scott Brown, to pose for yet another naked centerfold!? (Speaking of centerfold, didn’t anyone teach that graphic designer that one should never position anything crucial in the gutter between the spread? But I digress…)

Even though the typography guru of all times, Neville Brody, is English, I’m pretty sure he will agree with me, at least on the “poorly kerned typography” part. And speaking of typography, don’t even get me started on the title design of Avatar! Everyone knows that James Cameron went to the extent of hiring USC professor/linguistics specialist, Paul Frommer, to create a totally new language for the Na’vi in his movie, but when it comes to the title design, he settled for Papyrus. It’s excusable if it’s for Prince of Egypt or The Mummy 4. But there’s only four letters for one to design from scratch, if the title is all cap. Couldn’t have someone at least come up with something more original than the plain old Papyrus? I don’t even think that papyrus plant is indigenous to Pandora.

So, yes. Good kerning is equally as important as world peace. The similarity lies in the fact that we all share the same passion in making something we really care for BETTER. The same goes to orthodontists.