2010 July | T2 + Back Alley Blog - Part 2

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Unspectacular Things. They Matter.

Dieter Rams

OK, yes, I love great design. I live in a world driven by design. Fueled by design. And that’s why I love great designers. Watching this film moved me – like the first time I saw film/art from Charles and Ray Eames.

Dieter Rams is a visionary. He was then, even in the early days of working with Braun, as he moved from a focus on industrial aesthetics to aesthetics for the home. And he is now. In his laboratory, the environment was such that new products were influenced by many and ultimately, made better for all.

The world has come full circle – but some things remain certain and true for all time.  The world of design – and advertising – has always been defined by creativity.  But what really defines great work – is collaboration – work that is influenced by many, working seamlessly together, creating a finished product that is better for all.

Rams’ Ten Principles of Good Design are timeless as well — tenants to live by:

Good design is innovative.

Good design makes a product useful.

Good design is aesthetic.

Good design helps us to understand a product.

Good design is unobtrusive.

Good design is honest.

Good design is durable.

Good design is consequent to the last detail.

Good design is concerned with the environment.

Good design is as little design as possible.

In the film, Rams says “The unspectacular things are the important things, especially in the future.” Real word or not — I liked the way that made me feel.

Photo Credit: Abiasag Tullmann

What the Frack? This is What I Love About Filmmaking

I always tell people that the reason I got into this business is because it is such a powerful medium.  A single film has the power to influence – to motivate – to raise awareness – to change a point of view.  And making a documentary film, in particular, gives the filmmaker a unique opportunity to reach down deep inside and produce a piece of art that tells a story — a truth.  That gives the filmmaker a powerful platform that can affect change.   But you can see all that for yourself, if you just take a minute to watch this documentary trailer.

Gasland was directed by Josh Fox and it was the Winner of the Special Jury Prize – Best US Documentary Feature at Sundance in 2010 and it also screened recently at Cannes. Fracking is not only happening all across rural areas in America, it’s spreading to Europe and Africa, too.  Property owners are tempted by very lucrative offers from big energy companies and, given today’s economy, it’s not surprising that some opt to take the money and run.

I think this is a huge deal – and I agree with Josh that this is a situation that deserves a big spotlight aimed right at it – and this documentary definitely does that. If the trailer intrigued you at all, and you want to do more, visit the Gasland website. Request a screening in your city. Make a donation. If we all just did a little, we could make a huge impact.

And that, my friends, is why I LOVE documentaries. I love watching them. I love making them. I love their inherent power to make a difference.

Experiential Design: Why It Works

When I read that Volkwagen’s “The Fun Theory” and Nike Livestrong’s “Chalkbot” experiential design work won the 2010 Cannes Festival Grand Prix, I was ecstatic. We’re all aware that advertising is changing. But, it’s quite amazing to see that experiential design is elevating, and has gained acceptance as a communication device.

The Fun Theory is a competition itself where people can upload ideas designed to make mundane tasks interesting. Take the winning submission for example:

And the Nike Chalkbot was a machine that would imprint hopeful messages along the Tour De France– submitted through texting, Twitter and a website. The Chalkbot received some 23,000 messages to be chalked on the roads of France, so it was truly a viral experiential phenomenon.

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